The Marcus King Band, Tyler Childers and more.

Mountain Stage with Special Guest Host Joni Deutsch

The Marcus King Band, Tyler Childers and more.

Sun · June 25, 2017

Doors: 6:30 pm / Show: 7:00 pm (event ends at 10:00 pm)

$26.00 - $30.00

Sold Out

This event is all ages

Presented at FestivALL by Holiday Inn & Suites at the Charleston Conference Center

This show is sold out. Limited tickets may be released at 5pm on Sunday, June 25. 

The Marcus King Band
The Marcus King Band
Songwriter. Guitarist. Singer. Bandleader. At only 20 years of age, Marcus King’s dazzling musical ability is evident throughout The Marcus King Band, the young phenom’s 2nd full-length LP and first for Fantasy Records. Operating within the fiery brand of American roots music that King calls "soul-influenced psychedelic southern rock," the album highlights King’s gorgeous, rough-hewn vocals, soaring guitar work and heartfelt songwriting all amidst a group of masterful musicians who, together, are quickly becoming one of the country’s most sought after live acts.
Tristen
Tristen
Kishi Bashi with strings
Kishi Bashi with strings
"Sonderlust" is an album forged through heartbreak. After his two previous studio albums ("151a" & "Lighght"), Kishi Bashi was at a musical impasse. "As I sat down to write songs last summer, I went to all my usual conduits of creation: violin loops, guitar, piano, and I came up with the musical equivalent of fumes", says K Ishibashi. "I tried to create orchestral pop recordings that I assumed were my forte, and in turn I found myself standing in front of a creative wall of frightening heights."

At this very same moment of musical uncertainty, K's personal life was falling apart… He and his wife of 13 years had briefly separated and were struggling to keep their marriage together. In his own words, "Touring and its accompanying lifestyle took a heavy toll on my soul and my family". As an outlet, K submerged himself in a new musical direction. "Sonderlust" emerged as a direct result of this personal struggle taking place at an artistic crossroads.

With the help of producer Chris Taylor (Grizzly Bear), engineer Pat Dillet (Angelique Kidjo, David Byrne) and drummer Matt Chamberlain (Morrissey, Fiona Apple, of Montreal), Kishi Bashi has created his most personal and artistically adventurous work to date. "This album is straight from my soul. I questioned everything about what it means to love and desire. The difference between loving someone and being in love.
Tyler Childers
Tyler Childers
Like many great Southern storytellers, singer-songwriter Tyler Childers has fallen in love with a place. The people, landmarks and legendary moments from his childhood home of Lawrence County, Kentucky, populate the 10 songs in his formidable debut, Purgatory, an album that's simultaneously modern and as ancient as the Appalachian Mountains in which events unfold.

The album, co-produced by Grammy Award winners Sturgill Simpson and David Ferguson, is a semiautobiographical sketch of Childers' growth from wayward youth to happily married man, told in the tradition of a Southern gothic novel with a classic noir antihero who may just be irredeemable. Purgatory is a chiaroscuro painting with darkness framing light in high relief. There's catharsis and redemption. Sin and temptation. Murder and deceit. Demons and angels. Moonshine and cocaine. So much moonshine and cocaine. All played out on the large, colorful canvas of Eastern Kentucky.
Caroline Spence
Caroline Spence
Ever since the release of "Blood on the Tracks" in 1975, Dylan posed the challenge to every songwriter that came after him: Can life's emotional complexities be rendered simply? Can a song be so intensely personal that it somehow manages to reach beyond itself towards something universal? With this record, Dylan turned the American Songwriter into a definite vocation, a job that’s core responsibility was the nearly impossible task of simply and honestly singing your own story, and somehow mysteriously manage to speak for all of us.

While Caroline Spence may not look like one of the road-hardened troubadours of America's past, with the release of Spades & Roses, the young songwriter from Charlottesville Virginia proves she is every bit as serious. Having won numerous songwriting awards from industry mainstays like the Kerrville Folk Festival and American Songwriter Magazine, and garnered nods and admiration from both Miranda Lambert and her fellow writers in the Nashville underground, Caroline has delivered a record to meet the expectation: Quite simply, 11 songs of gorgeous Americana that remind us of why we fell in love with the genre in the first place.

It’s is a rare but unmistakable authenticity and emotional resonance that can't be faked, all delivered from a voice that somehow manages to be both ethereally pristine and yet profoundly raw and human-- a disarming union of self-assuredness and vulnerability that runs throughout the record. Under the guidance of Producer Neilson Hubbard, "Spades and Roses" strips away all of the sonic barriers that might stand between Caroline and her listener, allowing her fragile melodies and first person confessionals to do their work-- reaching out and empathizing, providing a soundtrack to our own hidden stories. Every song on the record--whether pop or meditative, glib or heartbreaking-- asks the essential question of whether or not the listener can recognize himself.

Whether it’s a song like "Southern Accident," a strikingly personal and heartbreaking account of the lingering effects of her parents divorce on her own search for love and commitment, or "Softball," an extended anthemic metaphor for the all-to-real injustices of the gender gap in modern life, Spades and Roses is Caroline's unflinching testimony and reminder as to why songs are important: It’s about paying attention. It's about whether you can take a handful of chords and find those still points of peace and clarity and joy amidst the basic confusion, struggles, and emotional wreckage of our everyday lives. Most importantly, it’s about finding a way to make it beautiful.

So who is "Spades and Roses" for? Songwriters who need a sympathetic shoulder? Song lovers who are tired of the latest gimmick? Modern ladies who still enjoy knitting? Older men who have seen enough to not find that intimidating? In the end, it’s for all of us that demand a lot of life and love, and yet still have the grace and hope to go on loving the world in spite of what it is sometimes. It’s for all of us that still like to hear our story told in song. In Caroline's own words, which seem to summarize the record, "It’s all love, and it’s all pain. And after all, I can't complain."

--James Wilson (Sons of Bill)
Venue Information:
Culture Center Theater
West Virginia State Capitol Grounds
Charleston, WV, 25305
http://www.wvculture.org/agency/cultcenter.html