Tal National, Ranky Tanky, Calan and more

Mountain Stage with Larry Groce

Tal National, Ranky Tanky, Calan and more

Sun · March 18, 2018

Doors: 6:30 pm / Show: 7:00 pm

$15.00 - $20.00

This event is all ages

Available to Mountain Stage Members January 12 at 10am.

On-sale to public: January 19 at 10a.m.

Advance Tickets: $20

Advance Tickets for Mountain Stage Members:$15

Day of Show: $35

Available online, by phone (877.987.6487), or at Taylor Books - Downtown Charleston.​​

Become a Mountain Stage Member for public radio perks and early access to tickets! mountainstage.org/member

Tal National
Tal National
Tal National is a band built on bringing people together. Their home country of Niger is split into a wide variety of cultures and ethnicities -- Songhai, Fulani, Hausa, and Tuareg voices all vie for attention under their national banner, and all are represented in the vast membership of Tal National's ranks. This gives the band's music its own particular mash of ethnomusical touchstones, from the bounce of kora, highlife and afrobeat, to the dusting of Tuareg Blues and the roiling boil of Hausa percussion -- they are truly their country's best cultural emissaries.
Calan
Calan
Welsh band playing traditional music.
The group see themselves as a new generation of ambassadors, striving to take their new sound to new audiences, while raising the profile of Welsh traditional music on an international level.
Ranky Tanky
Ranky Tanky
“Gullah” comes from West African language and means “a people blessed by God.” “Ranky Tanky” translates loosely as “Work It,” or “Get Funky!” In this spirit this Charleston, SC based quintet performs timeless music of Gullah culture born in the southeastern Sea Island region of the United States. From playful game songs to ecstatic shouts, from heartbreaking spirituals to delicate lullabies, the musical roots of Charleston, SC are “rank” and fertile ground from which these contemporary artists are grateful to have grown.

South Carolina natives Quentin Baxter, Kevin Hamilton, Charlton Singleton, and Clay Ross first came together in 1998, fresh out of University, to form a seminal Charleston jazz quartet. Now, united by years apart and a deeper understanding of home, these accomplished artists have come together again, joined by one of the low-country’s most celebrated vocalists Quiana Parler, to revive a “Heartland of American Music” born in their own backyards.

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The soulful songs of the Gullah culture are brought to life by this band of native South Carolinians who mix the low country traditions with large doses of jazz, gospel, funk, and R&B. Fresh out of college, trumpeter Charlton Singleton, guitarist Clay Ross, bassist Kevin Hamilton, and drummer Quentin Baxter originally worked together as an in-demand jazz quartet on the Charleston scene in the late 1990s before splitting off to each make their way as freelance musicians, working with names like Houston Person, Freddy Cole, Cyro Baptista, and René Marie. Gaining years of valuable experience while developing a deeper appreciation for the South Carolina Gullah tradition they came from, the band reformed with the dynamic vocalist Quiana Parler to celebrate the bone-deep mix of spirituals and gutbucket blues that mark the low country mainland and Sea Islands – music made by a self-contained culture of descendants of enslaved Africans that introduced such indelible parts of American songbook as "Kum Bah Yah" and "Michael Rowed the Boat Ashore." The word "Gullah" comes from West Africa and means "a people blessed by God," and "Ranky Tanky" translates loosely as "Work It," or "Get Funky!"
Amy Rigby
Amy Rigby
Amy Rigby has made a life out of writing and singing about life. With bands Last Roundup and the Shams in eighties NYC East Village to her solo debut Diary Of A Mod Housewife out of nineties Williamsburg; through a songwriting career in 2000s Nashville and during the past decade with duo partner Wreckless Eric, she’s released records on visionary independent labels Rounder, Matador, Signature Sounds and reborn Stiff Records as well as her and Eric’s own Southern Domestic Recordings.

The Old Guys, her first solo album in a dozen years, measures the weight of heroes, home; family, friends and time. Philip Roth and Bob Dylan, CD/cassette players, touring, the wisdom of age and Walter White, groupies, Robert Altman, egg creams and mentors are paid tribute. Twelve songs written by Amy and recorded by Wreckless Eric in upstate New York, The Old Guys is the sound of a good girl grown up, never giving up.


“Her whimsical, often autobiographical songs are masterful. Funny and enticing, she is up there with the likes of Paul Simon and Randy Newman.”
— New York Times
“Rigby combines formidable aural craftsmanship with blunt, self-deprecating honesty.”
— Village Voice
Venue Information:
Culture Center Theater
West Virginia State Capitol Grounds
Charleston, WV, 25305
http://www.wvculture.org/agency/cultcenter.html