Mountain Stage with Larry Groce
M. Ward, Laura Veirs, The Sea The Sea, and more
Sun · April 15, 2018
Doors: 6:30 pm / Show: 7:00 pmCulture Center Theater
$30 - $35
This event is all ages
Available to Mountain Stage Members January 12 at 10am.
On-sale to public: January 19 at 10a.m.
Advance Tickets: $30
Day of Show: $35
Available online, by phone (877.987.6487), or at Taylor Books - Downtown Charleston.
Become a Mountain Stage Member for public radio perks and early access to tickets! mountainstage.org/memberhttps://mountainstage.ticketfly.com/event/1626387/
M. Ward knows how to live with rain. Having spent the last decade-and-a-half based in the perennially damp Portland, Oregon, the singer-songwriter and producer has learned how to shine through the soggy gloom by simply embracing its inevitability. For Ward, there is inspiration in a dark sky and harmony in foreboding winds. And with his new album More Rain, he has made a true gotta-stay-indoors, rainy-season record that looks upwards through the weather while reflecting on his past.
“I think one of the biggest mysteries of America right now is this: How are we able to process unending bad news on Page One and then go about our lives the way the style section portrays us?” says Ward. “There must be a place in our brains that allows us to take a bird’s-eye view of humanity, and I think music is good at helping people—myself included—go to that place.”
This album, Ward’s eighth solo affair, finds the artist picking up the tempo and volume a bit from his previous release, 2012’s A Wasteland Companion. Where that record introspectively looked in from the outside, More Rain finds Ward on the inside, gazing out. Begun four years ago and imagined initially as a DIY doo-wop album that would feature Ward experimenting with layering his own voice, it soon branched out in different directions, a move that he credits largely to his collaborators here who include R.E.M.’s Peter Buck, Neko Case, k.d. lang, The Secret Sisters, and Joey Spampinato of NRBQ. The result is a collection of upbeat, sonically ambitious yet canonically familiar songs that both propel Ward’s reach and satisfy longtime fans.
More Rain begins with an actual rainstorm, then throughout the album, guitars chime, chug, and riff with Ward’s unmistakable earthy tone, while layers of atmospheric reverb and skittering drums climb and clip in equal measures. As the cloud of noise rolls in, the layers part ever so slightly to make way for Ward’s voice, which can play wispy and whimsical in one moment (“Pirate Dial”) or crackling and smoky in the next (“Time Won’t Wait”) just as well as it can climb to clear-sky clarity (“Confession”) then drop down to smooth, soulful crooning (“I’m Listening”), each one after the other. “Girl From Conejo Valley” is a nostalgic trot through people he used to know and a place he used to be, and “Slow Driving Man” is sweeping and lush in its orchestral climb towards confident heights.
As the album ends with the self-assured swing of “I’m Going Higher,” voices join together in a chorus of rising “ah”s and, for just a second, it seems the storm outside has slowed, making room for a ray of hopeful sunlight. As Ward knows, the rainy season is sure to return, but for now, More Rain is here to help us with our perspective.
and expansive arrangement that echoes, purrs and flutters invitingly.”
A prolific songwriter for over twenty years, Laura Veirs proves the depth of her musical skill on The Lookout. Here is a batch of inimitable, churning, exquisite folkpop songs; a concept album about the fragility of precious things. Produced by
Grammy-nominated Tucker Martine, Veirs’ longtime collaborator, The Lookout is a soundtrack for turbulent times, full of allusions to protectors: the camper stoking a watch fire, a mother tending her children, a sailor in a crow’s nest and a lightning rod channeling energy. “The Lookout is about the need to pay attention to the fleeting beauty of life and to
not be complacent; it’s about the importance of looking out for each other,” says Veirs. “I’m addressing what’s happening around me with the chaos of post-election
America, the racial divides in our country, and a personal reckoning with the realities of midlife: I have friends who’ve died; I struggle with how to balance life as an artist with parenting young children.”
Written and produced on the heels of Veirs’ acclaimed album with Neko Case and kd Lang case/lang/veirs, The Lookout integrates the fluency of collaboration with Veirs’ notorious work ethic. The twelve songs on the album are the result of a years’ worth of daily writing in her attic studio in Portland, Oregon.
The Lookout draws on the talents of a time-tested crew of musicians: Karl Blau, Steve Moore, Eli Moore, Eyvind Kang and Martine. Sufjan Stevens and Jim James provide guest vocals.
is an Upstate New York based indie folk-pop duo-band featuring what Huffington Post calls, “Two of the loveliest male-female voices you might ever hear this or any other year.” Their 2014 debut release, Love We Are We Love, received praise from NPR, American Songwriter, and No Depression, among others, gathering over 15 million streams on Spotify. The animated video for their song "Waiting" sparked viral interest including Buzzfeed, Pitchfork, and inclusion at the international TED 2015 conference. Mountain Stage host Larry Groce calls them "ready to take their place among the best young male/female duos now performing." Their 2016 release, the six-song EP In the Altogether, recently earned features by Apple Music including Best of the Week and A-List Singer/Songwriter.
Culture Center Theater
West Virginia State Capitol Grounds
Charleston, WV, 25305